![]() ![]() To accurately show this shift in value, paint light values slightly darker, dark values slightly lighter and middle values close to the same. ![]() This is partly because all the values shift slightly due to the diffusion of light, as some of the reflected light is scattered. Reflections, subdued by the water, have an otherworldly look. The angle at which you view the water’s surface will determine the amount of bottom detail and reflection to paint. Conversely, when you look out at the distant surface of the water in the middle of the pond, you generally see only the sky reflected. Have you ever stood at the edge of a pond and found yourself leaning out over the water to be able to catch a glimpse of the fish and rocks beneath the surface? As you look almost straight down into the water you can see more clearly without much reflection obscuring your view, except perhaps a very pale reflection of the sky above you. Take some time to conduct a few experiments with a mirror to help you visualize your point of view when painting reflections and better appreciate how important it is to identify the angle at which you are seeing them. The nearer you are to the mirror’s edge the higher you can see, and the farther back you are the more you can see the low details along the edge. Notice, too, how the objects reflected change as you approach the mirror or back away from it. As you raise your head, creating a steeper angle of reflection, you can see more of the objects that are high above the mirror, even those that are almost directly overhead. As you lower your eye level you can see the items closest to the edge of the mirror’s surface. ![]() To understand more clearly, place a mirror on a table and raise and lower your head, noticing how the reflection changes. The reflection you see depends on your relative distance from and degree above the water line. If, on the other hand, you are standing on a hillside looking down into the water, the angle will be much steeper, allowing you to see more of the sky and clouds overhead and little or none of the shoreline details.Īs you come closer to the pond or move away from it, the angle of view is affected. If you are standing at the shoreline or sitting in a boat the angle of incidence will be fairly shallow, allowing you to see a clear reflection of the grasses and trees lining the bank and perhaps the low hills behind. Imagine a large pond on a clear, sunny day, with a few clouds floating overhead. However, if you decide to diverge from reality and add a tree over here or delete a hill over there - something artists do quite regularly - you need to understand how your perspective affects what is reflected. If you paint only what you see and never make changes, your painting will most likely contain believable reflections. ![]()
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